Six String Journal Technique Series Publications
The first in a series, this workbook is a technique workout plan for classical and fingerstyle guitarists designed to build a strong technical base. The workout is centered around the most used left hand movements, right hand movements, preparatory work for scales, and the four most important scale forms.
A technique workout plan for classical and fingerstyle guitarists designed to develop speed and flexibility. The workout is centered around the most used left hand movements, right hand movements, preparatory work for scales, and the four most important scale forms, and applies advanced concepts such as rhythms, fixed fingers, and extensor development to expand technical limits.
Leonardo Garcia’s Mastering Tremolo is an extensive guide for all aspiring guitarists wishing to develop solid tremolo technique. From a multitude of preliminary technical exercises and drills to develop a foundation for your tremolo and invigorate your technique, to eighteen active practice techniques detailed with musical examples to develop rhythmic precision, note consistency, tone, and speed, to the mental game of playing tremolo, this book will help improve your playing regardless of your level.
Six String Journal Editions
NOTE: As of 12/17/17 the editions below are being updated and will be available soon.
The editions below have been very carefully edited with the advancing classical guitar student in mind. Both left-hand and right-hand fingerings have been annotated with careful consideration for the efficiency of technique and musicality. I have many more editions coming soon but here are some of my transcriptions and editions…
BACH: Prelude in D Minor, BWV999 (originally in C minor)
NARVÁEZ: Diferencias sobre ‘Guárdame las Vacas’
NARVÁEZ: Canción del Emperador
NARVÁEZ: Diferencias sobre ‘Conde Claros’ del Sesto Tono
GIULIANI: Seis variaciones sobre las Folias de España, Op. 45
Six String Journal Free Editions
This is a beautiful piece but very useful for students wishing to work on vibrato, shifts, bars, and ami.
- Use a rest-stroke on a to bring out the melodic line.
- Listen to the first note after any shift for unintended accents.
- Listen to the last note before any shift for unintended gaps.
- Change the pattern to aim for variety and fun.
- Explore more right hand patterns using the form of the piece.
I’ve reduced the typical 6 page edition to a two page reduction. I love working from these types of scores so much that I’ll often rewrite music into these formats.