Technical Workout for Classical Guitar, Level 1 – Base Building, Part 3 (video)

Here is the third of Six String Journal’s series of technique videos to accompany my recent workbook, A Technical Workout for Classical Guitar, Level 1 – Base Building. This video corresponds to Left Hand Movements, Part 3.

This workbook is designed to help late beginners and intermediate guitarists develop a daily routine of movements to strengthen their technical base so that fingers can do their job properly when assimilating new repertoire. Always go slowly with the most control possible. Think of it as writing a program for your brain with no bugs.

Technical Workout for Classical Guitar, Level 1 – Base Building, Part 2 (video)

Here is the second of Six String Journal’s series of technique videos to accompany my recent workbook, A Technical Workout for Classical Guitar, Level 1 – Base Building. This video corresponds to Left Hand Movements, Part 2.

This workbook is designed to help late beginners and intermediate guitarists develop a daily routine of movements to strengthen their technical base so that fingers can do their job properly when assimilating new repertoire. Always go slowly with the most control possible. Think of it as writing a program for your brain with no bugs.

Technical Workout for Classical Guitar – Level 1 – Base Building, Part 1 (video)

Here is the first of Six String Journal’s series of technique videos to accompany my recent workbook, A Technical Workout for Classical Guitar, Level 1 – Base Building. This video corresponds to Left Hand Movements, Part 1.

This workbook is designed to help late beginners and intermediate guitarists develop a daily routine of movements to strengthen their technical base so that fingers can do their job properly when assimilating new repertoire (that was wordy!). Always go slowly with the most control possible. Think of it as writing a program for your brain with no bugs.

 

 

Technical Workout – Speed and Flexibility

I’ve just published another workbook entitled A Technical Workout for Classical Guitar: Level 2 – Speed and Flexibility.

Like A Technical Workout for Classical Guitar: Level 1 -Base Buildingit expands some basic building block movements to help the guitarist develop a strong technique through the use of rhythms, extensor movements, and fixed fingers.

 

A Technical Workout for Guitar

Quick Update!

In addition to the kindle format, my  A Technical Workout for Classical Guitar – Base Building is now available in print via Amazon:

Stay tuned! I’ll be posting some videos to supplement the book soon.

A Technical Workout for Classical Guitar

Thought I’d let you all know that I’ve published the first of a series of technique workouts for classical guitarists. This first book, A Technical Workout for Classical Guitar, Level 1 – Base Building, is all about developing a strong foundation with a focus on the most common movements necessary for technique development in both hands. It is suitable for all levels – beginners trying to develop their own routine or advanced players looking for a systematic way to approach technique development. I wish I had had this when I was a young guitarist! It is available on kindle for now with more options soon. Stay tuned for videos going through some of the movements, supplemental publications, and more advanced workouts!

Right Hand Technical Workout Part 2

Here is the second installment of our right hand technique series. After a solid warmup of the larger muscle groups and gross motor skills in our right hand through chords and rasgueado (see Part 1), we’ll start building movements in the right hand from two finger movements up to four finger movements.

To start we’ll use movements involving the thumb with one other finger (pi, pm, pa) and movements involving the thumb with two other finger movements (pim, pmi, pma, pam, pia, pai). The primary goals with the following drills are to develop a strong sense of how the fingers fall across the strings which will reinforce our default right hand position and to develop a strong sense of independence from finger to finger (i.e. the movement of one finger or stroke should not displace the hand from this default position).

Step 1 – Thumb with one finger movements (pi, pm, pa)

The fingers of the right hand not involved in the movement should passively rest by very lightly touching their respective string. If this is too difficult at first, have them float as close as possible above their respective string (p=4, i=3, m=2, a=1).

right hand pi 2.jpg

right hand pm 2.jpg

right hand pa 2.jpg

Step 2 – Proceed to alternation

right hand pi 2.jpg

right hand pm 1.jpg

right hand pa 1.jpg

Step 3 – Proceed to work on the following thumb with two finger movements (pim, pmi, pma, pam, pia, pai). Note that each line contains six different movements to develop.

right hand pim 1.jpg

right hand pma 1.jpg

right hand pia 1.jpg

That should keep you all busy! Stay tuned to Part 3.