NEWS! Complete Technique Video Course Launch!

Six String Journal just seconds ago launched the online video course Complete Technique for Classical Guitar! To celebrate the launch I’ve discounted the course for Six String Journal readers by 25% discount for the next 30 days. If you are looking for a way to up your guitar game, want a massive project for the summer (seriously, what else are you going to do?!), and want to support our site, this is for you.

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About the course:

Six String Journal’s Complete Technique for Classical Guitar Course was developed for the advancing beginner with some experience, the advancing intermediate guitarist, and will even benefit those with lots of playing experience. Though music theory isn’t necessary, a rudimentary understanding of rhythm is helpful.

The course consists of primary movement videos where I will teach the foundational movements that you’ll need in order to master classical guitar. These videos cover topics such as free-stroke, rest-stroke, arpeggios, alternation, scales, hand coordination, slurs, and shifts. These are followed by several series of secondary videos where I’ll apply the techniques and movements in various ways to help you engrain them into your own practice. Stringing the secondary videos into a sequence will teach you how to form an effective practice routine that will maximize your results and get you closer to your musical goals.

Course Includes
  • Hours of focused technique lessons with an award-winning classical guitarist, the founder of Six String Journal, and sought-after educator.
  • Over 50 extensively detailed but digestible videos demonstrating essential foundational movements, technique tips, exercises, routines, and how to implement them into your practice, carefully edited in small bite size videos for easy assimilation and viewing.
  • Printable PDF summarizing the entire course with a condensed visual of the material presented.
  • Loads of bonus content from Six String Journal’s Mastering Diatonic Scales.

 

 

Mastering Scales, Part 1 – Rhythmic Manipulation

Mastering Scales, Part 1: Rhythmic Manipulation

There are infinite ways to develop more speed, accuracy, and fluidity in your scale practice. Using rhythmic manipulation, extensor training, patterns, repeated notes, fragments, and phrasing are favorite devices. They will all explained in the next several posts. Once you are familiar with the various techniques, apply them to scales (or even troublesome spots) in your repertoire to either problem solve or build a stronger foundation.

Throughout the following series of posts use the following fingerings (basic patterns in bold) focus on efficient and relaxed alternation, tone, consistency, and rhythmic pulse. More advanced students could expand them with articulations such as staccato and legato, dynamics, and tempo. Practice the material between repeats more than twice when necessary.

Rest-stroke fingerings: im, mi, ma, am, ia, ai, p, ami, ima, imam, amim, aimi

Free-stroke fingerings: im, mi, ma, am, ia, ai, pi, pm, pa, ami, ima, imam, amim, aimi, pmi, pami

Applying rhythms to scales is an essential tool for developing speed, reflexes, mental agility, and rhythmic flexibility. Though there are many rhythms, here are the most useful ones to develop.

For scale sources and further study: Mastering Diatonic Scales.

Two-Note Rhythms

Two-Note Rhythms.jpgExample of the application of rhythm 1.

Scale 3 rhythm 1.jpg

Example of the application of rhythm 2.

Scale 3 rhythm 1b.jpg

Three-Note RhythmsThree=Note Rhythms.jpg

Example of the application of rhythm 1.Scale 3 rhtyhm 2.jpg

Example of the application of rhythm 2.

Scale 3 rhythm 2b.jpg

Four-Note Rhythms

Four-Note Rhythms.jpg

Example of the application of rhythm 1

Scale 3 rhtyhm 3.jpg

Example of the application of rhythm 5Scale 3 rhythm 3c.jpg

Example of the application of rhythm 6.Scale 3 rhtyhm 3b.jpg

 Stay tuned for Part 2!

“Il re della chitarra” – L’Stampa

“The king of guitar.” – L’Stampa

If there ever was an argument for practicing rest stroke scales, I think Marco Tamayo would settle it. Though the video below is casually shot by a student asking about fingering solutions to Joaquín Rodrigo’s Aranjuez and Joaquín Turina’s Soleares, there is gold in it. Just observing the complete ease and extreme mastery of Marco’s approach reveals how much care and thought has gone into every single action.

Here is another valuable video where Marco gives us details on nail shaping and filing. Again, probably one of a handful of videos that are worth watching on the subject.

Check out his newly published Principles of Guitar Performance. Or, if you are looking for a start into building a technical routine check out the Technical Workout Workbooks on Six String Journal’s publications page!

 

Technical Workout for Classical Guitar, Level 1 – Base Building, Part 3 (video)

Here is the third of Six String Journal’s series of technique videos to accompany my recent workbook, A Technical Workout for Classical Guitar, Level 1 – Base Building. This video corresponds to Left Hand Movements, Part 3.

This workbook is designed to help late beginners and intermediate guitarists develop a daily routine of movements to strengthen their technical base so that fingers can do their job properly when assimilating new repertoire. Always go slowly with the most control possible. Think of it as writing a program for your brain with no bugs.

Technical Workout for Classical Guitar, Level 1 – Base Building, Part 2 (video)

Here is the second of Six String Journal’s series of technique videos to accompany my recent workbook, A Technical Workout for Classical Guitar, Level 1 – Base Building. This video corresponds to Left Hand Movements, Part 2.

This workbook is designed to help late beginners and intermediate guitarists develop a daily routine of movements to strengthen their technical base so that fingers can do their job properly when assimilating new repertoire. Always go slowly with the most control possible. Think of it as writing a program for your brain with no bugs.

Technical Workout for Classical Guitar – Level 1 – Base Building, Part 1 (video)

Here is the first of Six String Journal’s series of technique videos to accompany my recent workbook, A Technical Workout for Classical Guitar, Level 1 – Base Building. This video corresponds to Left Hand Movements, Part 1.

This workbook is designed to help late beginners and intermediate guitarists develop a daily routine of movements to strengthen their technical base so that fingers can do their job properly when assimilating new repertoire (that was wordy!). Always go slowly with the most control possible. Think of it as writing a program for your brain with no bugs.

 

 

Technical Workout – Speed and Flexibility

I’ve just published another workbook entitled A Technical Workout for Classical Guitar: Level 2 – Speed and Flexibility.

Like A Technical Workout for Classical Guitar: Level 1 -Base Buildingit expands some basic building block movements to help the guitarist develop a strong technique through the use of rhythms, extensor movements, and fixed fingers.

 

A Technical Workout for Guitar

Quick Update!

In addition to the kindle format, my  A Technical Workout for Classical Guitar – Base Building is now available in print via Amazon:

Stay tuned! I’ll be posting some videos to supplement the book soon.

A Technical Workout for Classical Guitar

Thought I’d let you all know that I’ve published the first of a series of technique workouts for classical guitarists. This first book, A Technical Workout for Classical Guitar, Level 1 – Base Building, is all about developing a strong foundation with a focus on the most common movements necessary for technique development in both hands. It is suitable for all levels – beginners trying to develop their own routine or advanced players looking for a systematic way to approach technique development. I wish I had had this when I was a young guitarist! It is available on kindle for now with more options soon. Stay tuned for videos going through some of the movements, supplemental publications, and more advanced workouts!

Right Hand Technical Workout Part 2

Here is the second installment of our right hand technique series. After a solid warmup of the larger muscle groups and gross motor skills in our right hand through chords and rasgueado (see Part 1), we’ll start building movements in the right hand from two finger movements up to four finger movements.

To start we’ll use movements involving the thumb with one other finger (pi, pm, pa) and movements involving the thumb with two other finger movements (pim, pmi, pma, pam, pia, pai). The primary goals with the following drills are to develop a strong sense of how the fingers fall across the strings which will reinforce our default right hand position and to develop a strong sense of independence from finger to finger (i.e. the movement of one finger or stroke should not displace the hand from this default position).

Step 1 – Thumb with one finger movements (pi, pm, pa)

The fingers of the right hand not involved in the movement should passively rest by very lightly touching their respective string. If this is too difficult at first, have them float as close as possible above their respective string (p=4, i=3, m=2, a=1).

right hand pi 2.jpg

right hand pm 2.jpg

right hand pa 2.jpg

Step 2 – Proceed to alternation

right hand pi 2.jpg

right hand pm 1.jpg

right hand pa 1.jpg

Step 3 – Proceed to work on the following thumb with two finger movements (pim, pmi, pma, pam, pia, pai). Note that each line contains six different movements to develop.

right hand pim 1.jpg

right hand pma 1.jpg

right hand pia 1.jpg

That should keep you all busy! Stay tuned to Part 3.