I have to admit that I may be enjoying Fernando Sor’s etudes too much these days. Many of them conjure a nice summer walk in the countryside with the occasional mildly adventurous detour. A set of favorites that I’m editing will be published soon but I thought I’d post a lesson on one of them and how I have been using it to warm up and build technique. His etudes are ideal in many ways to integrate musicality into technique because listening to the subtleties and manipulations of Sor’s familiar but often charming harmonies is so pleasurable.

Once you master his etudes, there are many possibilities for expansion but I’m going to use Etude Op. 35, Nº9 to illustrate how I like to use it to develop right hand technique. Here is a read-through for those of you not familiar with it.

### First Step

Try to build flexibility into your right hand by playing the etude as written with the following right hand patterns:

*piai, pimi, piâi*

### Variation 1

Once these are reliably developed, you’re ready for some fun. Use the following pattern to help develop the weaker alternation with these patterns:

*piaiaiai, piamamam, pimimimi*

### Variation 3

Or, another option could be to explore moving out of a right hand arpeggio position into a more right hand scalar position with:

*piaiamim, piaiaimi, piaiamia, piaiamam*

### Variation 4

Or, if you are feeling musically creative, explore adding a note to complement the melody within the key:

### Variation 5

Change it up a bit to get in your triplets:

Or, if you prefer:

*pimamiamiami, piamipamiami, etc…*

There are so many places to go with these little gems. Fun!

Download the edition of my score for free: Fernando Sor Etude Op. 35, Nº9