Mastering Scales, Part 4: Repeated Notes

There are infinite ways to develop more speed, accuracy, and fluidity in your scale practice. Using rhythmic manipulation, extensor training, patterns, repeated notes, fragments, and phrasing are favorite devices. They will all explained in the next several posts. Once you are familiar with the various techniques, apply them to scales (or even troublesome spots) in your repertoire to either problem solve or build a stronger foundation.

Throughout the following series of posts use the following fingerings (basic patterns in bold) focus on efficient and relaxed alternation, tone, consistency, and rhythmic pulse. More advanced students could expand them with articulations such as staccato and legato, dynamics, and tempo. Practice the material between repeats more than twice when necessary.

Rest-stroke fingerings: im, mi, ma, am, ia, ai, p, ami, ima, imam, amim, aimi

Free-stroke fingerings: im, mi, ma, am, ia, ai, pi, pm, pa, ami, ima, imam, amim, aimi, pmi, pami

To develop endurance in both the right and left hands use repeated notes. While we may think that repeated notes would only benefit the right hand, keeping left hand fingers down to produce many articulated notes demands left hand finger strength. The use of repeated notes also allows for some interesting coordination work, too. For example, playing repeated triplets (switching to a new note every three plucks) with a pair of fingers is a way to refine the balance of alternation.

For scale sources and further study: Mastering Diatonic Scales.

 

Eighth Notes

Step 1 – im, mi, ma, am, ia, ai, pi, pm, pa

Step 2 – ami, ima, pmi

 Triplets

Step 1 – ami, ima, pmi

Step 2 – im, mi, ma, am, ia, ai, pi, pm, pa

Sixteenth

Step 1 – im, mi, ma, am, ia, ai, pi, pm, pa

Step 2 – ami, ima, pmi

Yes, you could go on to quintuplets, sextuplets, and septuplets, but spending more time strengthening foundational skills will make the more complicated and lengthy possibilities easier.

Stay tuned for more!