Internationally acclaimed guitar virtuoso Yuri Liberzon is poised to release his third and most ambitious recording yet – Johann Sebastian Bach’s 3 Violin Sonatas (BWV 1001, 1003, 1005).
Johann Sebastian Bach’s solo violin works are familiar to most classical guitarist as transcriptions. In this instance, Yuri has chosen to record Manuel Barrueco’s transcriptions of the sonatas. These works pose countless complex challenges both interpretively and technically for the artist brave enough to tackle them. The slow movements require extremely refined technique to ornament and distill the beauty of the implied lines, the fugues demand the utmost skill in maintaining the subjects, countersubjects, and counterpoint, and the allegros and prestos push the interpreter to technical limits. All this while communicating Johann Sebastian Bach’s singular and perfect command of form, harmony, and lyricism.
Yuri meets every one of the demands with elegance and finesse, two aspects I admire in his playing. From the opening lushness of the first track, the adagio from the G Minor Sonata, Yuri sets the stage for the entire recording by slowly and calculatedly pulling the listener into a world rich with introspection and beauty. The strengths of this release are many but what perhaps stands out as a theme is how grounded Yuri’s playing is while moving you with a subtle forward momentum. For instance, the allegro from the A Minor Sonata was not taken at a blistering pace but somehow managed to convey a strong, steady energy, much like a tidal wave and the inevitability of its arrival. Another highlight was the monumental Fuga from the C Major Sonata. Again, it is Yuri’s calming but steady sense of structure that moves this movement forward and manages to bring out the overall arc of the piece. The counterpoint is crystalline and phrased beautifully. This does not happen unless it is intentional and that is what is fascinating about Yuri’s playing. It’s like magic – the sum is far greater than the parts. To achieve the effect of such a long line requires an architecturally gifted mind.
I’ve always enjoyed Yuri’s playing. It is similar to Manuel Barrueco’s for all of the perfection but Yuri’s caring and elegant sensibilities, and understated virtuosity, mark his interpretations as none other than his very own.
Overall, this ambitious project is wonderfully produced by both Yuri and Grammy Award-winning producer Nahuel Bronzini. The warmth and crispness that Yuri extracts from his Ruck and is captured in this recording are absolutely delightful to sink into. It may be his best recording yet.
Check out a great interview and technique talk with Yuri from the early days of Six String Journal.