Technique and Performance
I’ve recently come across French guitarist and 2008 GFA winner, Gabriel Bianco‘s videos on youtube and have been thoroughly captivated by how elegantly musical his interpretations are. If you are in the mood to hear Manuel Ponce’s Sonata III followed by some music by Nikita Koshkin played at a magical level, enjoy.
Here is a great video by the Paris Guitar Foundation where you can get to know a bit more about Gabriel’s journey.
Hope that keeps you all inspired!
Rising to fame in the guitar world after winning the Guitar Foundation of America‘s 1997 International Competition, French guitar virtuoso Judicael Perroy is now a much admired, loved, and sought-after concert guitarist and teacher. One listen to his playing and your interest is held by an infectious drive and energy few players can conjure. In most recent news, he will join the San Francisco Conservatory‘s faculty in the fall. That is news I love to hear as it’s an opportunity to perhaps hear and see more of this incredible musician for those of us who live nearby.
Here are is an interview of Judicael filmed by Tornavoz where he talks about being a classical musician, listening to music, and acquiring a wealth of perspectives to become a better musician.
This second video beautifully shot by the Paris Guitar Foundation shares some insight into Judicael’s life with footage of Judicael playing Scriabin and Ponce. Simply incredible!
Known as Mexico’s “First Lady of the classical guitar”, Zaira Meneses, has been praised by the New York Times as “an arresting performer full of colorful touches” and has built a stellar reputation for her dark sound, powerful technique, and superb musicality. As a performer, she has graced the greatest stages of the world including New York City’s Carnegie Hall, Alice Tully Hall, Boston’s Jordan Hall, Salzburg’s Wiener Saal, and the Great Hall of the Shanghai Conservatory. As a recording artist, she has released the CD Latina and is releasing three new CDs on the Centaur label. Zaira is also active in the contemporary music scene and has had works dedicated to her by the great American composer, Robert Beaser, and by award-winning composer Stephanie Ann Boyd. Besides her collaborations with prominent musicians, like her husband Eliot Fisk, the flamenco virtuoso Grisha Goryachev, flutist Viviana Guzman, among others, Zaira is active as educator at the New England Conservatory’s Preparatory Division and as an outreach coordinator for the Boston Guitar Festival.
Here she is performing a beautiful voice and guitar piece followed by a stunning 3rd movement from Leo Brouwer’s Sonata.
When I mentioned featuring Zaira on Six String Journal, we thought it might be nice to add some personal details in a short magazine style interview so here it is:
What’s the most recent news in your guitar activities? I’ve become a baroque guitar soloist. I’ve also created a new guitar performance art approach with Latin American Collages where I combine guitar, poetry, acting, and singing. Another thing I’ve been enjoying lately is improvising with my requinto and jarana “jarocha” instruments from native Veracruz Son Jarocho music. I’ve also performed in some great venues this year: Carnegie Hall, Jordan Hall in Boston, and at the Mozarteum.
When did you start playing? At age of 7 years old.
What repertoire do you enjoy playing the most? Music that is rich in counterpoint, and that has interesting harmony, rhythms, and phrasing, such as Bach , Santiago de Murcia, Gaspar Sanz, and latin american music especially from Mexico and Cuba.
How much do you practice? It depends, if I have a performance coming up I don’t notice the time. On regular days I practice two to three hours.
Do you structure your practice? Yes. For concerts I prioritize memory reinforcement, sound projection, and how to connect with my audience.
Do you have a system or favorite drills you use to warm up? I start by playing the song I can’t wait to play because it will bring the best out of me. Then I practice the passages that I need to be improve.
Do you have any pre-concert rituals? I always meditate but before a concert I meditate to specific passages of the concert. I also do mind/rehearse [visualize] the music in the sauna and steam room a week before concert. Sometimes I run with the music I will be performing. I fall asleep reading the music. It really depends what performance I’m presenting but more or less I breath music as much as I can.
What is the last book that you read? Or the greatest book you’ve read this last year… Oh my gosh! I love the Austrian novelist Stefan Zweig. He’s a great writer and his books are full of imagination and detail. My favorite book is his short stories of “Forgotten Dreams”.
Any advice about practicing to younger players? Practice only if you want to practice. Practicing should come from your gut. Practicing is not a labor, it’s a need. It has to become your need otherwise its not worth doing it.
What guitar or guitars do you perform on? I use a guitar built by Stephan Connor and a Spanish baroque guitar.
Which guitarists have had the most influence on you? Oscar Ghiglia, Eliot Fisk, Joaquin Clerch.
Are there any recordings of guitar music that you think every young guitarist should be familiar with? Alirio Diaz’s Venezuelan Waltzes, Andres Segovia playing Spanish composers, any of Oscar Ghiglia’s Manuel Ponce recordings, Eliot Fisk’s playing Bach, Latin American guitar music, and his recordings of music by Robert Beaser.
Do you exercise? Do you think it helps your playing? YES absolutely! I run outdoors when it’s super cold and when it’s super hot. This helps me adjust my body to any hall circumstances.
What do you eat before a concert? If I can, my daughter Raquel’s best shake for performances: banana, almond milk, oatmeal, and chia seeds. If I’m in a hotel, I eat turkey or white meat and avocados. If I’m in hotels I also like to order Chinese steam ed vegetarian dumplings.
I recently stumbled upon this great artist’s videos on youtube while looking for a worthwhile performance of Joaquín Rodrigo’s Fandango from his Tres piezas españolas. With over 30 awards and 19 (!) 1st prizes from both solo competitions and chamber music competitions, Spanish guitarist Mabel Millán is often in the spotlight as one of the emerging young concert guitarists of her generation. What is so impressive is that she is in her early twenties and is also getting a law degree while she pursues an active concert career. Her playing is so fluid and lyrical that it is easy to overlook the fact that she is playing some of the most demanding guitar repertoire effortlessly. Here she is performing Joaquín Rodrigo’s Fandango and Zapateado, Johann Sebastian Bach’s Chaconne, and William Walton’s 3rd Bagatelle. It’s hard to imagine it could be performed better.
Mabel’s latest news is that she will be performing Manuel Ponce’s Concierto del Sur in Madrid’s Teatro Monumental and will be the first woman to record the concerto. Also, her first CD will be released on the Mexican label AdlibMusic MX with a rendition of Leo Brouwer’s Sonata of the Black Decameron. Below is a take of her recording Antonio Ruiz-Pipó’s Canción y Danza Nº1.
Hope that inspires everyone!