Moveable Scale Forms for Development
by Leo Garcia
After watching Eliot Fisk demonstrate all of these, I thought I would write them out and share them with students. I confess that although I practiced scales religiously (and still do), I seldom went through modes. There are many reasons to work on these, though: ear training, technique development, and fingerboard familiarity.
The first form has the root starting on string 3, the second form has the root starting on string 4; and the third form works for both strings 5 and 6 . . .
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