In this video I talk about using guide fingers to help choreograph the left hand. Guide fingers really make everything flow in the left hand by keeping it in contact with the strings. They also prevent the necessity to lift and place which can cause stress and tension in the left hand. Don’t forget to like, share, subscribe, and leave a comment if you have questions.
The great Cuban guitarist Marco Tamayo reminded me that all shifts should occur with guide fingers lightly gliding on the strings, preferably the treble strings to avoid unnecessary noise. If you observe any great guitarist’s left hand, like Marco’s, you will witness a great left hand choreography – smooth, soft, efficient, relaxed. One of the key elements in building an effective left hand choreography is a thorough understanding of how to use guide fingers to bridge and connect movements that may seem unrelated. Think of guide fingers as fingers that remain in passive contact with the string while shifting.
See if you can find guides in the next passage.
Excerpt from J. S. Bach’s Double from BWV997
Did you find them all?
Try to locate all and label all the guides in your repertoire. You’ll find that it not only improves left hand fluidity but it also deepens your physical understanding of the piece you are working on and in turn can help your memory.
Stay tuned for ghost guide fingers and changing guide fingers…