“I just go to the piano simply because I’m naturally attracted to it, not because I ever feel I have a task to accomplish. Well, I do in a way, but only in the sense that it’s just continuing a journey with a certain piece, or with a number of pieces at the same time.”
— Piano virtuoso Marc-André Hamelin talk about practicing this morning.
Hear him talk about practice on Classical KDFC.
Here is another great article by Noa Kageyama of The Bulletproof Musician where he comments on a study conducted at Yale about the perception of errors from the listener’s point of view. The bottom line is that even the most sophisticated listeners catch far fewer imperfections and wrong notes than we as performers think they do. During practice mode it is important to obsess, analyze, and refine our pieces but performance mode is different and it’s important to practice performance mode where you do not obsess about little imperfections but instead focus on what you want the audience to hear. Knowing about this study may help inexperienced and experienced performers alike feel a little less awful when missing notes on the concert stage.
Annie Bosler and Don Greene’s TED-Ed talk “How to Practice Effectively” provides a great summary of how to get the most from your practice sessions.
Here are the tips given for more effective practice:
- Focus on the task on hand. Minimize distractions (turn off screens and phones!).
- Start slowly or in slow motion. Coordination is built with repetitions. If you gradually increase the speed of the quality repetitions you have a better chance of doing them correctly.
- Frequent repetitions with allotted breaks are common practice habits of elite performers. Many divide their time for effective practice into multiple daily practice sessions.
- Practice in your brain in vivid detail. Visualize everything. Once a physical motion has been established it can be reinforced just by imagining it.