Here is a new video of Rebeca Oliveira playing Carlos Seixas’s Sonata Nº14. Rebeca plays it beautifully and clearly. The sound she extracts from her guitar is wonderfully warm and dark. Enjoy!
If you haven’t read Rebeca’s Six String Journal interview, check it out here.
After repeated requests for more videos, I’m eager to share this post and upcoming video series on Heitor Villa-Lobos’ Etude Nº1. In this first part I’ll explore the advantages and disadvantages of the standard fingering that Andrés Segovia wrote in the published edition. I’ll then offer some options for practicing the Etude. In Part 2, I’ll go through some options to overcome the disadvantages and finally arrive at my preferred fingering.
For a reduction of this, check out my first post on Villa-Lobos’ Etude Nº1.
Here is a new and beautifully shot video of guitar wonder Yuri Liberzon playing a great arrangement of Astor Piazzolla’s Oblivion. Yuri’s interpretations are so crisp, clear, and elegant. It is treat to hear more Piazzolla from his guitar.
Yuri recently released a CD of Piazzolla’s music. Check it out here.
And, if you’ve followed Six String Journal, there is a great interview in this and some subsequent posts where Yuri shares some great advice on playing.
Here is the second of Six String Journal’s series of technique videos to accompany my recent workbook, A Technical Workout for Classical Guitar, Level 1 – Base Building. This video corresponds to Left Hand Movements, Part 2.
This workbook is designed to help late beginners and intermediate guitarists develop a daily routine of movements to strengthen their technical base so that fingers can do their job properly when assimilating new repertoire. Always go slowly with the most control possible. Think of it as writing a program for your brain with no bugs.
I was warming up this morning and thought I’d post one of my favorite ways to work on scales to both warm up and build speed. I like this sequence because you can set the metronome conservatively and build up as you play. It’s much like the the sequence in this post but applied to scales. I’ll go through this with im (mi) and am (ma) both rest and free stroke but sometimes find myself working on other patterns like pi, ami, ai, and whatever else I feel is going to help my fingers get into the zone. Depending on what’s on my agenda, I may do this for 20-30 minutes or a lot longer pushing myself to build comfort at higher tempos. I like knowing I have a bit more than necessary.
The Technical Workout for Classical Guitar, Level 2 – Speed and Flexibility workbook has a section very similar to this.
Here is the sequence: