New Series: My Favorite Fernando Sor Etudes, Part 1

Fernando Sor (1778-1839)

Every now and then, I find myself in a sight-reading mood and will pull out the complete Etudes by Fernando Sor. I could spend hours enjoying their perfect structure, their ingenuity, or the wonderful musical moments where Sor charms you by introducing a key or harmony you did not expect. Like a calm path in the forest, there may be something out of the ordinary to draw our attention but just enjoying the path in and of itself is reason enough to be there.

Though many of you are probably familiar with the 20 Etudes by Sor that were curated and published by Andrés Segovia, there are many, many more etudes that he wrote that range from simple to profound. Covering so many musical and technical concepts, they are valuable pieces to those fortunate and patient enough to study them. One great joy as a teacher is to introduce one of Sor’s etudes to a student and have them react with excitement or anticipation that they’ll someday extract their beauty from the guitar.

Anyway, enough rambling!

I decided to start pressing the record button while sight reading to eventually compile a series of videos so that younger and less experienced players get to hear some of the etudes I find particularly nice. I’ll include pdfs below and maybe I’ll even make a video or two demonstrating how I like to play them to develop technical flexibility.

I hope these videos help you discover some new nice little gems.

Previous post about Fernando Sor:

Expanding Sor Etudes

New Publication of Three Fernando Sor Etudes

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Expanding Fernando Sor’s Etudes

images-1.jpgI have to admit that I may be enjoying Fernando Sor’s etudes too much these days. Many of them conjure a nice summer walk in the countryside with the occasional mildly adventurous detour. A set of favorites that I’m editing will be published soon but I thought I’d post a lesson on one of them and how I have been using it to warm up and build technique. His etudes are ideal in many ways to integrate musicality into technique because listening to the subtleties and manipulations of Sor’s familiar but often charming harmonies is so pleasurable.

Once you master his etudes, there are many possibilities for expansion but I’m going to use Etude Op. 35, Nº9 to illustrate how I like to use it to develop right hand technique. Here is a read-through for those of you not familiar with it.

First Step

Try to build flexibility into your right hand by playing the etude as written with the following right hand patterns:

piai, pimi, piâi

Fernando Sor Etudes ex 1.jpg

Variation 1

Once these are reliably developed, you’re ready for some fun. Use the following pattern to help develop the weaker alternation with these patterns:

piaiaiai, piamamam, pimimimi

Fernando Sor Etudes ex 2.jpg

Variation 3

Or, another option could be to explore moving out of a right hand arpeggio position into a more right hand scalar position with:

piaiamim, piaiaimi, piaiamia, piaiamam

Fernando Sor Etudes ex 3.jpg

Variation 4

Or, if you are feeling musically creative, explore adding a note to complement the melody within the key:

Fernando Sor Etudes ex 4.jpg

Variation 5

Change it up a bit to get in your triplets:

Fernando Sor Etudes ex 6.jpg

Or, if you prefer:

pimamiamiami, piamipamiami, etc…

Fernando Sor Etudes ex 5.jpg

There are so many places to go with these little gems. Fun!

Download: Fernando Sor Etude Op. 35, Nº9

 

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