Precise Left Hand Finger Placement

The ability to place the left hand in a position to give equal opportunity for each and every finger to fret precisely is essential for playing well. Pinching a fret precisely means pinching a fret while avoiding contact with any adjacent string/s.

There are many instances where the ringing of adjacent strings is necessary.  Think of your Bach fugues!

So here are two exercises I like to show students who are struggling with placing left hand fingers precisely. Some things to keep in mind:

  1. Listen! Keep your ear on the open string to make sure it rings continuously while you play the chromatic notes around it.
  2. Play really slowly to insure absolute legato.
  3. Keep right hand fingerings simple. Try using and or m for the open string.
  4. Pay attention to your wrist placement. It should remain relatively flat. Do not push your wrist out in front of the guitar. To create a tunnel for the open string take the bend across the joints in the finger. Think of creating a semi-circle with the finger.

Exercise 1

Chromatic Linear Scale with open 1.jpg

Exercise 2

Chromatic Linear Scale with open 2.jpg

Hope this helps clean up those sloppy pinches! : )

 

Francisco Tárrega’s Technical Studies

francisco-t-rrega-recording-artists-and-groups-photo-1My usual morning consists of a good warm-up (a combination of left hand movements and slurs, right hand alternation movements and arpeggios, and scales), before moving on to practicing spots in pieces, and finally playing through pieces and working on new pieces. However, there are periods of the year where I have more time to extend my technique practice and to learn new pieces. I’m approaching that period now (yeah!) so I’m experimenting with new finger gymnastics to address weaknesses in my technique and building a hearty list of new repertoire to absorb over the summer.

To this end, I was rummaging through my boxes and shelves of music and found a well-worn copy of Francisco Tárrega’s Complete Technical Studies. I pulled it out and went through it again for fun. If you’re looking to shake up your routine, I highly recommend some of his studies.

Below are two of Tárrega’s left-hand exercises that will surely make your left hand sweat. Tárrega notates using im alternation for the right hand but I prefer to simply assign i, m, and a, to strings 3, 2, and 1, and have p play all the bass strings to preserve my nails.

Exercise 1

Tarrega Exercise 33.jpg

Exercise 2

Tarrega exercise 34.jpg

Try going from 1st position all the way to 9th and back. Also, try the same concept with other sets of left hand pairs: 14 and 23 or 13 and 24.

Hope that gets your left hand going!

 

 

 

Want Speedy Scales?

Want to feel more accurate when playing through your pieces? Want speedy scales? Want fluid arpeggios? Want to be a guitar superhero? Work on basic movements. Hard work on the very basic movements of technique allows an inner exploration of our limits and abilities while giving us a bit of a roadmap for quantifiable and steady improvement.

Below are some very basic right hand drills that find their way back into my warm-up and finger routines often. It's not that I need to practice them much anymore but rather they allow me to continually refine the most important . . .

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Motivation from David Russell

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David Russell Technique Talk

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Pavel Steidl

We are in an era where from the comfort of your own living room you can watch hours and hours of the greatest guitarists on the planet conduct masterclasses. When I was in music school, masterclasses were always a treat because not only would you receive guidance about your repertoire, you could watch others receive guidance and insight on pieces you may have played or were perhaps on your bucket list of pieces.

If you have not heard Czech guitar virtuoso Pavel Steidl perform, you should. He embodies the pieces he is playing in a supernatural way and it is always clear from the first note of the concert that his music comes from a deep place. And, if you have not seen him teach a masterclass, you should. His ideas are wonderful and ear opening. Here is one where he talks about feeling intervals, displays some finger bending exercises, and even shows how he shapes his nails. True gold for those seeking inspiration and guidance.

Off to practice!

Cross-Rhythms and Tremolo

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Artist Profile: Denis Azabagic

“Denis Azabagic demonstrated his unbelievable guitar playing skills, sincere love for music, professionalism and passion…” – CHICAGOTRIBUNE.COM

A GFA winner, seasoned concert artist, accomplished chamber musician and recording artist, Bosnian guitar great Denis Azabagic, needs no introduction to the classical guitar world. But, what often escapes even the most devoted afficionados may be the hidden gems among the pile of guitar videos on youtube.

I recently came across Denis’ Mastering Guitar Technique Series [scroll down a bit after linking]. Though you have to pay for each video, the lessons range from slurs to tremolo to scales and in my opinion are worth hundreds time what he is charging ($1.99!). Each video has a tremendous amount of insight and practical advice. If you’ve not heard Denis play, check out the video below of him playing brilliant renditions of standards by Sor, Bach, and Asencio, and then check out his technique series!

A Way of Thinking of Tremolo

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New Publication: Mastering Tremolo

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