My usual morning consists of a good warm-up (a combination of left hand movements and slurs, right hand alternation movements and arpeggios, and scales), before moving on to practicing spots in pieces, and finally playing through pieces and working on new pieces. However, there are periods of the year where I have more time to extend my technique practice and to learn new pieces. I’m approaching that period now (yeah!) so I’m experimenting with new finger gymnastics to address weaknesses in my technique and building a hearty list of new repertoire to absorb over the summer.
To this end, I was rummaging through my boxes and shelves of music and found a well-worn copy of Francisco Tárrega’s Complete Technical Studies. I pulled it out and went through it again for fun. If you’re looking to shake up your routine, I highly recommend some of his studies.
Below are two of Tárrega’s left-hand exercises that will surely make your left hand sweat. Tárrega notates using im alternation for the right hand but I prefer to simply assign i, m, and a, to strings 3, 2, and 1, and have p play all the bass strings to preserve my nails.
Try going from 1st position all the way to 9th and back. Also, try the same concept with other sets of left hand pairs: 14 and 23 or 13 and 24.
Hope that gets your left hand going!